Tell me, O Muse...
2018
Sound installation. Sound speaker, vinyl record, vinyl player.
Exhibition view Tell me, O Muse...
2018.
FFTN Gallery, St. Petersburg.
Exhibition view Tell me, O Muse...
2018.
FFTN Gallery, St. Petersburg.
Exhibition view Tell me, O Muse...
2018.
FFTN Gallery, St. Petersburg.
Object from the project Tell me, O Muse...
2018.
Record cover.
35x35 (13,7x13,7 in)
Video documentition Tell me, O Muse...
2018.
FFTN Gallery, St. Petersburg.
Tell me, O Muse...
There are events creating an image. And there is the life of the image.
Often tragedies create images. And here the image begins its journey.
On its way, the image can forget the event that created it.
The image is strong, but it serves anyone, this is its nature ...
"Elliot Rodger’s rampage, too, was real. On a spring day in 2014, Rodger stabbed his roommates, drove to a University of California–Santa Barbara sorority house, and hammered on the door. When he was denied entry, Rodger shot at people outside, in the end killing mostly men. The rampage ended when he crashed into a parked vehicle; police found him dead in his car with a self-inflicted gunshot wound in his head.
Midway through his massacre, Rodger uploaded a final video to YouTube, titled “Elliot Rodger’s Retribution,” outlining his purpose. He announced his desire to punish women for rejecting him and railed against sexually active, macho, dominant men, whom he called “brutes” and “animals”:
"Well, this is my last video, it all has to come to this. Tomorrow is the day of retribution, the day in which I will have my revenge against humanity, against all of you . . . I’ve been through college for two and a half years, more than that actually, and I’m still a virgin. It has been very torturous . . . I don’t know why you girls aren’t attracted to me, but I will punish you all for it . . . I’m the perfect guy and yet you throw yourselves at these obnoxious men instead of me, the supreme gentleman."
On 4chan/b/, the day the story broke, Rodger was the subject of much fevered attention. One contributor posted a selfie of Rodger from his Facebook profile and wrote, “Elliot Rodger, the supreme gentleman, was part of /b/. Discuss.” “That dude was fairly good looking,” one commenter remarked. “He must’ve just been the beta to end all betas if he never got laid.” Another commenter wrote, “Manifesto had ‘I do not forget, I do not forgive’ and ‘kissless virgin,’ etc., he was a /b/tard.” Rodger’s “I do not forget, I do not forgive” was likely a reference to a sign-off used by Anonymous, which emerged from 4chan/b/."
Angela Nagle "The New Man of 4chan"
Projects
- Unfinished project
- Shaving of the Christ
- Slowly Aging Children
- On the tip of the tongue
- In the Valley
- Suburbia
- Karate poetry
- My space 2.0
- My green crocodile
- Preparation of the transformer-bride
- Tell me, O Muse...
- Dasia's fairy tales
- Notes from the Morder
- Phonatory bands
- Pets
- My space
Q. What are the relationships and parallels between Russia at the beginning of the 20th century and now?
Q. How fantasy can be used to create alternative realities to escape propaganda and control.
Q. What is love?
Q. How have our relationships with others been transformed in a technologized world?
Q. How does one capture and experience existential soullessness of Russia high-rise suburbs?
Q. What is the character of the social network languages, particularly with the migration of images from scrins to reality and back?
Q. How can the anxiety of the modern world be expressed?
Q. How does one capture the estrangement of the inhabitants of Russia’s marginal districts?
Q. Why do humans have conflicted notions about privacy and openness, and a need and desire for individuality?
Q. How does the media use hatred and scandal for profit?
Q. What was the complex relationship between Fyodor Chaliapin’s and his daughter, Dasia?
Q. How does fantasy create images of desire?
Q. How does something out of the ordinary become habitual?
Q. How do we understand the complicated relationships between humans and their pets?
Q. What visual codes can be deployed create an artist's identity?